ulternative space chungjunggak / MEDIA IN LIFE  



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‎2009. 10. 19.‎ i times INCHEON NEWS  
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freebird@itimes.co.kr

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/±èÁø±¹±âÀÚ (ºí·Î±×)freebird
http://news.itimes.co.kr/Default.aspx?id=view&classCode=403&seq=365161

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i_today ÀÎõ½Å¹®_PLASTIC SYNDROME  
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Ãֹ̰æ±âÀÚ mkchoi333@i-today.co.kr
http://www.i-today.co.kr/news/view/?no=48460
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2009.10.23 (±Ý) kyunghyang NEWS "PLASTIC SYNDROME"  
¿¹¼úÀÛǰÀ¸·Î º¯½ÅÇÑ ¡®ÇÃ¶ó½ºÆ½¡¯  

¤ý¾ÆÆ® ½ºÆäÀ̽º ÇÃ¶ó½ºÆ½ °øÀå¼­ ¡®ÇÃ¶ó½ºÆ½ ½Åµå·Ò¡¯î÷

ÀÏ»óÀÇ Æò¹üÇÑ ÇÃ¶ó½ºÆ½ÀÌ ¿Â±â°¡ µé¾îÀÖ´Â ¿¹¼ú ÀÛǰÀ¸·Î Àçź»ýµÈ´Ù.

NEAR ´ç»ê½ºÆ©µð¿À(www.dangsanstudio.com)¿Í Çʸ®ÇÉÀÇ ÇÁ·ÎÁ§Æ® ½ºÆäÀ̽º Çʸ®Çdzª½º°¡ ÀÎõ¹®È­Àç´Ü°ú Áø¿µÇÃ¶ó½ºÆ½ °øÀåÀÇ ÈÄ¿øÀ» ¹Þ¾Æ ´ÙÀ½ ´Þ 7ÀϱîÁö °è¾ç±¸ ÀÛÀüµ¿(738-8¹øÁö) ¾ÆÆ® ½ºÆäÀ̽º ÇÃ¶ó½ºÆ½ °øÀå¿¡¼­ ±âȹÀü½Ã ¡®ÇÃ¶ó½ºÆ½ ½Åµå·Ò¡¯(»çÁø)À» °®´Â´Ù.

À̹ø Àü½Ã´Â ÀÏ»ó»ýȰ¿¡¼­ ÈçÈ÷ ¾²ÀÌ´Â ÇÃ¶ó½ºÆ½ ¼ÒÀ縦 ÅëÇØ Çö´ë ¹°Áú¹®¸íÀ» ´ëÇ¥ÇÏ´Â ´ë»ó¿¡¼­ ½Ã°¢ ¹®È­¿¹¼úÀÇ ÇÑ ºÎºÐÀ¸·Î °¡Á®¿Í ´Ù¾çÇÑ º¼°Å¸®¸¦ Á¦°øÇÑ´Ù.

ÀÛ°¡µéÀº Àü½Ã¸¦ ÅëÇØ ÇÃ¶ó½ºÆ½À̶õ Àç·á¸¦ ¼ÒÀ縦 »ïÀ» »Ó ¾Æ´Ï¶ó ÇÃ¶ó½ºÆ½Ã³·³ °¡º±°í °øÇãÇÑ Çö´ë »çȸ ¸ð½ÀÀ» ÀÛǰ¿¡ ´ã¾Æ³½´Ù. ±×·¸´Ù°í Ç㹫ÇÑ Çö´ëÀÎÀÇ ¸ð½À¸¸ ´ã´Â °Ô ¾Æ´Ï¶ó ¿ì¸® ÁÖº¯ÀÇ ´Ù¾çÇÑ ¸ð½ÀµéÀ» ÇÃ¶ó½ºÆ½À» ÅëÇØ À̾߱âÇÑ´Ù.

ƯÈ÷ À̹ø Àü½Ã´Â Çѱ¹°ú Çʸ®ÇÉ ±³·ùÀüÀ¸·Î µ¿½Ã´ë¸¦ »ì¾Æ°¡´Â ¾ç±¹ ÀþÀº ÀÛ°¡µéÀÇ ¿ª·®°ú °¢±â ´Ù¸¥ ¿¹¼úÀûÀÎ Àç´ÉÀ» ¿³º¼ ¼ö ÀÖ´Â ±âȸ°¡ µÇ°í ÀÖ´Ù.

±ÇÀÚ¿¬°ú ½ÅÁö¿øÀº °¶·¯¸®°¡ ÀÖ´Â ÇÃ¶ó½ºÆ½ °øÀå¿¡¼­ ÁÖ¾î¿Â ÀÚÅõ¸®¸¦ ¿ÀºêÁ¦·Î Ȱ¿ëÇØ Áñ°Å¸é¼­ ÀÛǰÀ» ¸¸µé¸ç ·ù½ÅÁ¤Àº ȸȭ¿Í Á¶°¢ ¼³Ä¡ ÀÛǰÀ» ÅëÇØ Çö´ë »çȸÀÇ ¡®ÇÃ¶ó½ºÆ½ ½Åµå·Ò¡¯¿¡ ´ëÇÑ ºÎÁ¤°ú ±àÁ¤ÀÇ µÎ °¡Áö ŵµ¸¦ º¸¿©ÁØ´Ù.

¶Ç äÁø¼÷ÀÇ À¥ Àü½Ã(www.plasticfactory.co.kr) ¡®Image Recycling Box¡¯¿¡¼­ °øÀå¿¡¼­ ÀçȰ¿ëµÇ´Â ´Ù¾çÇÑ ÇÃ¶ó½ºÆ½ À̹ÌÁö¿Í Àü½ÃÀÛǰÀ» ȸÀü½Ã۰í Á¶ÀÀÇÑ´Ù. À̹ۿ¡µµ Á¶¼Ò¿¬ ÀÛ°¡´Â ÀÏȸ¿ë Æ÷Å©ÀÇ À̹ÌÁö¸¦ ÀüÅë ȸȭÀÇ ´À³¦À» »ì¸° ¹àÀº ³ë¶û µå·ÎÀ×À» ¼±º¸À̸ç Çʸ®ÇÉ ¸¶ÀÌÅ© ¾Æµå¶ó¿À´Â Çö´ë »çȸ ¼Ó¿¡¼­ °¡½Ä°ú Çã¼¼·Î Æ÷ÀåÇÑ ¿ì¸® ¸ð½ÀÀ» ¡®ÇÃ¶ó½ºÆ½ ÀÎÇü¡¯À¸·Î Ç¥ÇöÇϰí ÀÖ´Ù.

°ü¶÷½Ã°£Àº ¿ÀÀü 10½ÃºÎÅÍ ¿ÀÈÄ 6½Ã±îÁö(ÀÏ¿äÀÏ ÈÞ°ü)¸ç 23ÀÏ ¿ÀÈÄ 6½Ã Àü½Ã Ŭ·Î¡ ÆÄƼ°¡ ÁøÇàµÈ´Ù.

¹®ÀÇ ¹Ú¼Ò¿¬ Å¥·¹ÀÌÅÍ (010)8713-3253.
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http://news.khan.co.kr/kh_news/khan_art_view.html?artid=200910230500095&code=960202

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Solo Exhibition: Christopher Zamora  
http://projectspacepilipinas.blogspot.com/2009/05/psp-solo-exhibition-christopher-zamora.html

Project Space Pilipinas is proud to present ¡°Sorrowful Mysteries,¡± a collection of new paintings by former NEAR Manila resident artist Christopher Zamora.

Taking its title from one of the four mysteries of the Holy Rosary, ¡°Sorrowful Mysteries¡± at its clear-cut representation, reflects upon the current social and spiritual condition in our country. Being one of the biggest Catholic nations in Asia, it is without saying that faith plays a vital role in the daily lives of many Filipinos. Religion in the Philippines was not something to be practiced once a week or occasionally, but rather a force governing our everyday lives. Making the sign of the cross prior to almost every important undertaking we are to carry out is only natural to many of us. We often whisper our own personal prayers for good luck and guidance whenever we embark on a journey or making important decisions that may change our life. Indeed, our faith is the same divine energy that gives us direction and confidence to survive the day to day living.

As the artist noted, the idea of ¡°Sorrowful Mysteries¡± originally, stemmed out from his body of work that tackles various human struggles to escape and get out of the harsh realities brought by poverty. Regardless of the continuing global economic predicament everyone is dealing with, depression in the country is a commonplace image explicitly manifested in our daily actions. Many Filipinos, more than ever, are still hoping for instant relief from indigence through different ways such as playing lotto or joining game and reality shows on TV. Moreover, church goers are growing consistently as life gets tougher everyday. Many are praying harder, wishing for miracles and solution to their seemingly endless destitution.
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Kissing the Methods _ Angki Purbandono_ indonesia  
http://www.rkfineart.com


http://projectspacepilipinas.blogspot.com/2009/05/angki-purbandono-kissing-methods.html


¡°In the works presented for the show, Angki no longer speaks about photography. Instead he expands his ideas on to the attempt at finding/creating objects within their new environments. The environment here can be referred to as the context that moves according to the age. So he combines particular natural elements with plastic—as one of the most amazing human creation of the century—and playing with it¡± (Nuraini Juliastuti).

Technology is inherent in all human works. A human-made thing I think will never reach its final stage. It will continue to morph until it finally finds its perfect post to let the people to react to it. Monalisa, for example, has always been an inspiration and source to be explored. Likewise, Che Guevara and Jesus Christ (and the Cross) have proved to be everlasting images.

Looking from this perspective, I do admire some works that I think are beautifully successful in marking the age of humanity. They—among others-are Nam Jun Paik: Electronic Opera no.1-1969, Nobuyoshi Araki: Sur-sentimentalist Manifest-1970, Damien Hirst: The Physical Impossibility of Death in the Mind of Someone Living-1992, Djoko Pekik: Berburu Celeng-1998, Mella Jaarsmaa: Hi Inlander (Hello native) 1998-1999, Agung Kurniawan: Sketch for Museum of Misunderstandings-2008.

They have invented genuine expression in examining local situations and responding them. The outcomes are often sensational narrativities. Living in today Indonesia, I feel like trapping in delusional fantasies that heavily shielded the real stories and experiences of the people until the real meanings are evaporating and gone to nothingness.

Kissing the Methods are the results of the acts of revising and updating towards the dynamic relation of Indonesian visual arts (that is arrogant and strict) and the audience. What else? – Angki Purbandono

Kissing The Methods, May 9 - 23, 2009
Richard Koh Fine Art, Solaris Mont' Kiara

No.7-1, Jalan Solaris 3, Solaris Mont' Kiara
50480 Kuala Lumpur, www.rkfineart.com
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Korean Artists Open Studio_Project Space Pilipinas  
http://projectspacepilipinas.blogspot.com/2009/04/korean-artists-open-studio.html


NEAR Manila resident artist Jinsuk Che together with two other Korean collaborators Youngeun Lee (theater artist) and Byongoh Ko (sound artist) opened the Project Space Pilipinas' studio last February 4, 2009. Jinsuk Che installed a couple of lighted lamps from her installation project "Air Castle" and a video projection of her collaborative project "Sonagi: Fading World." Youngeun Lee on the other hand created a map on the wall that locates and documents various places they visited and people they have met during their stay in Manila, while Byongoh Ko produced a sound piece made from noise recordings collected outside the studio.
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SoNaGI-fading world  
http://moonshin.or.kr/ex_lye.htm



http://www.chejinsuk.com/AP02.htm
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CHE JINSUK SOLO SHOW "AIR CASTLE" Íöñé楼阁 kong zhong lou ge  
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